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Community, Democracy, and Performance: Table of Contents


Table of contents 1


Community, Democracy, and Performance 6

ABSTRACT 8


Preface 9

making a digital text 9

through thick and thin 11

the work of ethnography in an age of digital reproduction 13

placements and movements 15


From Korea to Kyoto 19

Strangers on a Japanese street 19

Nativist constructions 21

Counter-histories 23

Korean Kingdoms and the founding of Kyoto 25

the nation story 28

Japanese Expansionism 29

Annexation of the Korean Peninsula 30

Post-war predicaments 31

Literature on Resident Koreans 32


Resident Koreans in Kyoto Today 34

Higashi-kujo no Ima: 34

Photography Exhibit 34

Representing the Center and the Margins 46

Living on the edge 49

The wrong side of the tracks 52

Higashi-Kujo today 57


National spaces and identity practices 62

the phantasmic emperor 62

Kyoto City margins and centers 65

in-corp-oration 67

Information overload 68

Who controls Saturday? 72

discourse, discussion, and dissent 74

Public propriety 77

Police-enforced “harmony” 78


Local Spaces and Counter-identities 82

interrogating the familial 82

Moments of Being Korean in Kyoto 84

The outcome is silence 85

atarimae nationalism 88

Hypercorrect behavior 91

the overcoded street 93

recoding public space 93

body schooling 95

state, market, shrine 97

consuming nationality 100

some people are just more equal 103

middle class democracy 105

assembling the national Umwelt 106

normalcy and the state 108


Festivals and new social movements 111

Chounaikai 112

Somewhere else, some time ago 115

Looking for a good time 117

The veneer of appearance 120

urban matsuri literature 121

furusato of furusatos 125

failed festivals 127

the festival as counter-demonstration 128

a festival in more than name only 129

Event-centered solidarity 132

festival as alibi 134


The Higashi-kujo Madang 137

Allegory and realism 144

Planning the madang 154

Dancing with the dog 160

Arts meetings 165

the event 174

photography 183

masks 188

Cultural activities 195

the madang drama 200

Locating multiculturalism 215


Celebrations in Cities 226

space at stake 227

where migration stops 230

Space and time 231

from media to management 244

Re-savaged streets 249

Domestication 253

place and ideology 254

privacy and intimacy 258

Emotions in public 265

democratizing the national domestic 267


Dancing toward a dialogic democracy 271

Asian modernities and European models 274

Future modernities 280

communities and publics 281

struggle for the present 283

unimagined publics 292

denaturalizing citizenship 295

Appropriation 299

Tactics 303

National(ist) Identity Trouble 305

Korean counter-publics 308

unmarking 310

exclusion and de-legitimacy 311

New, reflexive communities 318

publics and multiculturalism 319


Bibliography 326


INDEX 343


Video, Photo, and Graphics Index 363


Commentarium C-1


vocabularium G-1


Quotadium Q-1


Maps m-1

MAP A: Kyoto City Central Region m-2

MAP B: Uptown and Downtown Kyoto. m-3

MAP C:The Kyoto Station Area m-8

Map D:The Route of the first Pre-Madang Parade m-12

Recoding Cultural Landmarks as sites of Korean culture in Kyoto m-17

Kyoto city provided map of historical sites (modified) m-21

Kyoto in 1873. m-23


Dis-association Trouble

The great poster conflict

The flier/poster for the Second Higashi-kujo Madang

 


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This work is licensed under a Creative Commons License.Contact the author: B Caron